The short answer
Send WAV when the station allows an attachment or a download, and treat 320 kbps MP3 as the floor rather than the goal. Broadcast processing compresses and limits everything it airs, which exaggerates the artefacts an MP3 has already baked in permanently.
| WAV or other lossless | MP3 320 | MP3 128 or a stream link | |
|---|---|---|---|
| Audio kept | All of it | Most of it, permanently reduced | Audibly reduced |
| Survives broadcast processing | Yes | Acceptably | No |
| File size for a single | Roughly 30 to 50 MB | Roughly 7 to 10 MB | Small |
| Emails without trouble | Often too large, use a download | Usually yes | Yes |
| Accepted by stations that specify a format | Yes | Sometimes | Rarely |
| What it signals | You are treating this as broadcast | You are being practical | You did not think about it |
At least 42 of the 273 confirmed accepting stations ask for lossless audio in their published rules, including KCRW, WKNC, WMNF, WNAA, WVUA, WYXR, and at least 3 state they will not take a streaming link at all (KALX, KNHC, WKNC). Separately, 41 of those 273 want physical media rather than any file, and 8 accept nothing else, so for those the format question is a pressing question.
For most stations, yes. A 320 kbps MP3 survives broadcast processing acceptably and many stations accept it explicitly. It is the floor rather than the target: where a station allows lossless, lossless is the better send, and where a station names WAV, an MP3 can get the submission rejected outright.
Two reasons. A link is one more step for somebody working through a queue, and it can break or change. And a broadcast chain needs the actual audio file to schedule and process, so a station that logs and plays from a library needs something it can keep.
Pick your sound and region on Rotation and each of these stations shows its real submission contact and the exact rules it posts: clean edit, WAV, form or mail. Checked by hand and kept current. No station here paid to be listed.
Open my sheet →Radio is the free half, and it stays that way. Every station here is free to reach and no station ever pays to be listed. The Doors is the other half: 100 verified places that are not radio, sync libraries, music supervisors, festivals, contests, live sessions and the music press, 43 of which can actually pay an artist. It also lists the 162 we opened and refused, with the reason each one failed, because most lists of this kind are stale and the rejections are the part nobody else will show you. $9.99, the 2026 Q3 edition →
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