The method

How we verify a station

Every station here was opened by a person, read off its own published page, and given an honest status. Hundreds more were rejected. This is exactly how, so you can check us.

1363Stations verified
44States
813Rejected, not listed
3929Shows mapped

Station counts on this page are read from the registry itself when the page loads, so they cannot fall out of date. The rejected total is checked against the exclusion record every time the site is built.

What actually happens

01

We start from the licence, not from a list

Station lists circulate the internet endlessly and most of them are copies of each other, which is how a dead address survives for years. We start from the FCC's own record of licensed non-commercial educational stations, so the starting set is every station that legally exists rather than every station somebody remembered.

02

A person opens the station's own website

Not a directory, not an aggregator, not a cached copy. The station's own pages: the contact page, the staff page, the submissions page if there is one, the schedule. What that station says about taking music is the only thing that counts, and it is quoted rather than paraphrased.

03

The door is recorded exactly as published

The specific address, form or postal route the station itself puts forward for music. Not a general enquiries line we hope somebody reads. If a station publishes rules alongside it, those rules are recorded in the station's own words, including the awkward ones: clean edits only, no links, physical media only, contact the show and not the building.

04

It gets a status that can say no

Four of them, defined below. Two of the four mean we could not confirm a station takes music, and those stations are published anyway, because knowing where not to send is worth almost as much as knowing where to send.

05

It gets rechecked

Doors move. Music directors graduate, stations rebuild their sites, submission forms are retired. Every page on this site carries the month it was last rechecked, so you are never guessing how old the information is.

The four statuses, in full

Verified open

The station says it takes submissions, or publishes an address or form specifically for music. 273 stations are here. A star is added only when there is a dedicated submission page or form, which 74 stations have. A star is never given for an email address, however good it is.

Likely accepting

A real music-programming station that publishes a usable route on its own domain, but has never explicitly written down that it takes submissions. 511 stations are here. It is an honest label rather than a hedge: send with care and read the rules first.

Research

We found the station, not the door. 569 stations are here, and they are published on purpose. A row that says plainly "there is no route to find" saves you the hour you would have spent looking for one.

Closed

The station states it does not accept unsolicited submissions. 10 say so on their own pages, and we print it, because being told no in advance costs nothing and being ignored costs a week of wondering.

What gets rejected

813 stations have been checked and left out. Almost all of them broadcast, some of them are well known, and none of them belongs on a list for independent artists. The tell is nearly always the same: one feed, many transmitters, one shared address.

ReasonStations
Repeater or simulcast of another station124
Regional or national religious network on one feed67
American Family Radio44
K-LOVE and Air142
News, talk or automated classical with no music submissions30
Bible Broadcasting Network13
Reading service for the blind1
Other, each recorded with its own reason56

This is the part a scraped list cannot do. A network repeater has a call sign, a frequency, a city and often a contact form, so it looks exactly like a station to a script. It is a transmitter for a signal originating a thousand miles away, and nobody there will ever hear your record.

What we will never do

Rules that do not bend

  • We never charge a station. No station has paid for its place here and no station can. Most are non-commercial and cannot take payment to put a record on air.
  • We never sell airplay. A music director decides what goes on air. Anyone offering to guarantee that is selling you something other than radio.
  • We never publish a contact a station has not put forward for music. A role address the station publishes as its submission route is fair. A named person's inbox found elsewhere is not, and neither is a general enquiries line we simply hope somebody reads.
  • We never invent a rule. If a station has not published its position on a thing, the row says nothing about it. Silence is recorded as silence, never as permission.
  • We never profile the people. Shows are the unit, not hosts. Most of them are students and volunteers, and they did not sign up to be in a database.

Who does this

Rotation is an independent company in Atlanta, founded by DeShawn Marks. The registry is not automated, not licensed from anybody, and not bought. It was built station by station and it is maintained the same way.

If something here is wrong, tell us and it gets fixed. That includes stations: if you programme one of these signals and your row is out of date, or you would rather not be listed at all, write to deshawn@getinrotation.com and it is changed the same day, no argument.

The verification is the product. Everything else on this site, the search, the rules, the shows, the national programmes, is downstream of somebody having opened the page and read it.